“The Stream / The Boat / The Shore / The Bridge is a live public artwork along and across the Yarra River.
See a familiar place from four new perspectives and add your thoughts and your hands to the action.
Sometimes divided, sometimes connected, you’ll have questions to answer and decisions to make”
Just four participants at a time experienced a series of interconnected site-specific performances at sites surrounding the Southbank Pedestrian Bridge in Melbourne, Australia. The creative development and premiere season was supported by the 2012 Next Wave Festival.
We’d like to thank the team who did a fabulous job on this video:
Director/Producer/DOP: Max Milne www.maxmilne.com
Editor: Thomas Kinsman www.thomaskinsman.com
Sound Designer: Adam Hunt
We have been nominated for a Melbourne Green Room Award! The nomination is for Outstanding Production - Creative Agency for Audiences under the Alternative & Hybrid Performance category. Our work is mentioned alongside some terrific artists and work we admire - congratulations to our fellow nominees Triage Live Art Collective, Team Mess, Elizabeth Dunn & co and Jason Mailing.
The nomination is for ALL of the collaborating artists who made The Stream / The Boat / The Shore / The Bridge. Further congratulations to Andrew Bailey who was also nominated for his entire Years Work at Melbourne Theatre Company for Set And Costume Design in the Theatre - Companies category.
Finally, particular thanks and awe to Next Wave Festival for supporting our work and so many others - 8 Next Wave Festival events were nominated!
Photos from the 2012 Next Wave season along and across the Yarra River at Southbank, Melbourne.
Photos by Max Milne Photography.
Shore Thing // SBSB do Bundanon pt 2
Dear my lovely niece,
How is it that you inspire me one moment by hugging me and saying you love me. Then the next moment I’d filled with dread as “no, leave me alone. I’m not talking to you.” flows from your lips. Well ah lass those are the truths of arriving home in Wangaratta for a stop over on route to Melbourne.
Family. Either of blood or spirit bring joy and wall breaking dread moment to moment.
Much love,
Your uncle.
photos: Max Milne
Horizon/ grey gum/ wombat/ mossy rock/ sandy shore/ echo chamber/ ampitheatre/ canopy/ bull in field / dirt track/ mud under foot/ squelchy boot/ early morning/ dark dinner/ windy road/ front gate/ neighbour’s fence/ signpost/ bitumen road/ dotted line/ speed limit/ traffic/ roadhouse/ roadtrain/ cow on truck/ advertisement/ portaloo/ paid lunch/ smooth ride/ counting down/ highway patrol/ airport/ sky road/ headlight/ lights ahead/ fast food suburb/ highway’s end/ defined block/ street map/ sprawling grid/ adjoining house /red light/ neon/ shop front/ immediacy/ mass/ choice/ train/ tram/ bike/ cab/ car/ horn honking at the out-of-towner (“I’m sorry but I’ve been in paradise for a week and it’s taking me a little while to adjust back to this reality we have built”)/ last turn/ crowded street/ cement carpark/ empty house/ home.
PH
Dear Brother from another Mother,
I miss you. But really we are having enough fun here without you. The Boat is happy and boy now we are dancing. Life on the long road is fun.
Over and out.
Max
Quote of the day:
On Veggie Dogs. “Doesn’t it come from Soya off cuts?”
Photos by GH
There is a strange sensation that comes about with something like this, a ‘creative development’.
I feel like it should be called an ‘emotional development’, or I should tell people I’m embarking on a week of ‘emotional creativity’!
I find myself connecting with a bull in the field, or being moved by a joey playing with her mother, or the yellow leaf that sticks to the top of my shoe with the autumn dew. Eager to connect, I hone my listening skills and get lost in the stories, skills and conversations of the people around me, and yet I notice I am also retreating further and further into myself; a communal hibernation. Reaching out and reaching in.
My task was to brush up on bridges. I learnt a thing or two about dead loads and forces, arches and suspension and the pros and cons of iron v steel.
But while I can appreciate architecture for its beauty, I am unwilling to invest in learning about it as a science, or mathematical equation, or to study the specific way you construct these magic stepping stones. For me, it is not its engineering that is of most interest, but the energy it generates when it is in place. What is a bridge? Just an overpass? What is it about bridges that have captured people’s imaginations and defined cities throughout the ages? Such pride comes from a bridge! They are an example of functionality and art combining to create a piece of infrastructure that can be more than just a road over water, but can enhance the environment in which it is transgressing. Creativity meeting Practicality. Aesthetic meeting Efficiency. A bridge is already a bridge.
The always reliable Dictionary.com page says that a bridge is two things :
1. a structure spanning and providing passage over a river, chasm, road, or the like.
2. a connecting, transitional, or intermediate route or phase between two adjacent elements, activities, conditions, or the like:
A structure and a route. Stability and journey. You cross a bridge, you bridge the gap. It represents division and also unity. I live on the other side of the bridge to you/ I will meet you on the bridge.
Its mystique comes in its impossibility. How is it possible to build it, cross it, reach the other side without it falling apart?
The structure itself symbolises all these things for us too. How can I do the things I want to, get to the place I want to be; what if I fall in a heap along the way?
Through reading books on bridges I learned one thing tonight: it is a slow process, this bridge building. It takes time and effort to get to the other side. Whether it be by wood or cement or stone, there are factors that come into play – external and internal – that will define the kind of bridge you build, the kind of life you make. It unfolds stone by stone, plank by plank, step by step.
I think it would be rad if we gave people the chance to take the time they need to start building and crossing their own bridge, one dance move at a time.
PH x